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Field Notes from the Cultural Apothecary

The Transformation

The Transformation

Some paintings do not begin with an idea, but with a vision.

The Transformation came to me in that way: not as a concept, but as an inner image unfolding slowly, asking to be translated into color, form, and gesture.

At the base of the painting are patterns inspired by Indigenous visual traditions of the Amazon. They appeared to me not as ornament, but as a kind of living ground - a woven language of memory, spirit, and relation. From within that language, the python emerged as a sacred presence, overseeing the transformation held within the canoe, where a flowering tree rises like a sign of life becoming something other than itself.

The jaguar, meanwhile gazes forward - toward the place where the river disappears into the forest, into what cannot yet be seen. It carries the force of threshold and prophecy, of instinct turned toward the future, while the canoe becomes a vessel of passage, bearing this quiet metamorphosis between worlds.

These elements entered the work almost as presences rather than symbols, creating a landscape shaped by passage, watchfulness, and change.

For me, The Transformation dwells in that sacred in-between space where something old loosens, where unseen forces gather, and where the soul begins to move toward another form of knowing.

When Winter Breathed a Smile

When Winter Breathed a Smile

A festive table in the snow, a red visitor from another world - the bear smiling in wonder.

In the stillness of winter, something arrives that does not belong, and yet feels strangely destined. Color steps into white. Warmth sits across from fur and frost. No words are needed. The moment itself becomes a quiet celebration - of chance, of presence, of a joy that finds its way even into the coldest places.

Where the Hippo Dreams

Where the Hippo Dreams

“Where the Hippo Dreams” follows a creature shaped by southern waters - a being that carries the weight of heat, mud, and river-breath in its skin.

In this painting, the hippo steps toward a world that does not belong to it: a landscape of mountains and open air, entered through an arch of vines heavy with grapes.

The crossing is quiet but meaningful. It reflects what it takes to enter a place where one’s presence is unexpected - a world built on other histories, other climates, other assumptions. The hippo carries its thick skin not only as biology, but as metaphor: protection, memory, resilience.

The work suggests that transformation begins within. A shift of courage, a soft decision, a dream that insists on movement. The gate is more than an architectural form; it is an invitation to reconsider where belonging begins and how far imagination can carry a body across worlds.

Chiribiquete Tree

Chiribiquete Tree

Chiribiquete is more than a place - it is a living archive of humanity and nature.